![]() Tilt determines the plane of focus by allowing you to point the lens at an angle other than perpendicular to the image plane, (As a normal lens do it only focus on a singular and perpendicular plan) With tilt, the focal plane becomes pliable, it becomes possible to capture an image entirely in focus (background and foreground), as well as narrow the focal plane and make it surrounded by soft blur. The tilt-shift lens can do amazing things to control the perspective. The tilt and shift lens has two main advantages over other lenses: The third movement is the rotation of the lens, this allows you to shift and tilt the lens not only vertically or horizontally, but at any plan. ![]() The second movement is the tilt, where the lens moves around a pivot to make an angle with its original axis The first one is the shift movement, where the lens moves parallel to its original axis as the following figure: Tilt-Shift Lens has three types of Movements. This is possible by additional design features that allow the lens to physically tilt, shift, and rotate. If you’re looking for more Tilt Shift Portrait and Wedding inspiration, be sure to check out this other article by Jay Cassario.A tilt-shift or perspective-control lens is a specialized lens that has the ability to moderately rotate the image focal plane with a pitch or yaw, as well as skew the image perspective. You can also consider achieving the tilt shift look in Lightroom, as we teach you in this article. So find the right balance that works for you and your style. Overuse it or use it improperly, and it could have a negative effect on the overall set of photos. Use it sparingly and with the right intention and you can help add to the impact of a photo. The tilt shift lens can be a fun, creative tool to add to your set of wedding images. If you are the lead shooter and you plan to use a tilt-shift lens during a key moment, such as exchanging the rings, the first, kiss, or the recessional, have the second shooter take lead on a 24-70/70-200mm to capture the action. It is a good idea to have a second shooter covering the action whenever you switch to a tilt-shift lens to ensure that you don’t miss any important moments. Here, we used the tilt feature to shift the plane of sharpness from the sign in the foreground to the couple at the altar in the background. You can’t really achieve this unique look in camera without a tilt-shift lens or without combining multiple images in post production. Remember that tilt shift lenses allow the photographers to capture multiple planes in focus with a single shot, like you see in the image below. Top Left: Canon 5D Mark III, Canon 24-70mm f/2.8 at 70mm, f/2.8, 1/400, ISO 100 Bottom Left: Canon 5D Mark IV, Canon 24-70mm f/2.8 at 24mm, f/2.8, 1/1250, ISO 100 Top Right: Canon 5D Mark IV, Canon TS-E 24mm f/3.5 at f/3.5, 1/500, ISO 200 Bottom Right: Canon 5d Mark IV, Canon TS-E 24mm f/3.5 at f/3.5, 1/500, ISO 200 Use Creatively For Multiple Planes In Focus See the differences between the overall look and aesthetic with the four images below. Canon 5D Mark IV, Canon 24mm TS-E f/3.5 at f/3.5, 1/500, ISO 400 Recession – Medium Angle & Wide Angle Canon 5D Mark III, Canon 24-70mm f/2.8 at 24mm, f/2.8, 1/400, ISO 100īelow is the scene captured from a different angle using a Tilt Shift Lens. Canon 5D Mark IV, Canon TS-E 24mm f/3.5 at f/3.5, 1/500, ISO 100 First Kiss – Wide Angleīelow is the scene captured on a standard zoom lens. Canon 5D Mark IV, Canon 70-200mm f/2.8 at 80mm, f/2.8, 1/000, ISO 100īelow is the same scene as above, captured with a tilt shift lens. Ceremony – Wide Angleīelow, you’ll see an image of a wedding scene captured with a standard zoom lens. Here are a couple of side-by-side images showing the images captured using a tilt-shift lens versus a standard prime or zoom lens. How you capture these moments will, of course, depend on the focal length of your lens and the vision you have for the final image. Otherwise, you may end up missing a key moment with an out-of-focus photo. We recommend that you only try this if you have another shooter covering a main angle with a “regular” auto focus lens. These moments offer a great opportunity to experiment with a tilt-shift lens. Wedding ceremonies vary by culture, but there are a few key moments that you’ll likely find in most of the ceremonies you’ll cover: Exchanging vows/rings, first kiss, and/or the recessional. This will come in handy to help you perform under pressure when capturing creative shots during a wedding ceremony. Practice shooting with the lens to perfect manual focusing. Practice Before The Big Day!īefore you take a new tilt-shift lens out to cover a wedding ceremony, we suggest taking the time to better understand the lens and its functionality. Most major camera makers should have a focal length equivalent. Since I’m a canon shooter, here are my preferences. First, let’s start out with my favorite tilt shift lenses.
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